Archives: Work

It's getting witchy and weird.

Jess Bianchi is renowned for her ethereal, anime-inspired depictions of fantastical beings and women warriors. She was the obvious choice to give Summoner gaming studio's typically brutalist aesthetic a new direction.

Tasked with an open brief around Summoner's wolf shadow puppet logo, Jess Bianchi created her first ever black and white piece, drawing inspiration from the all-female Japanese manga artist group CLAMP to stage a priestess who summons a demonic wolf.

Mystical elements weave throughout the monochrome narrative, meticulously crafted with assistance from animator Mariana Diaz. Layered with shadow puppetry and morphing bodies, the piece asks where shadow ends and the body begins, with rich textures that feel both ancient and contemporary. The approach paid off. Through skilled attention to silhouette and negative space, the piece casts subtle hints at Summoner's future directions.

Summoner Studio

"We were drawn to Jess' character-driven style and knew it would translate beautifully into our darker aesthetic. The collaboration was a joy – her creativity and craft pushed the project into unexpected and exciting territory.”

Juan mixes tenderness and trippiness in KENZO’s animated love story

When KENZO came knocking with the idea to continue the whimsical animated universe from their LUCKY ME collection, Juan was all in.

This second brief, a beautiful, trippy romance. Meet Quique, a tiger with a soft spot for Kali, the rabbit. Their love story doesn’t just stop at stolen glances - it blossoms into a family of three little ones, each carrying the traits of both parents. 

The catch? This had to be a one-shot animation - no cuts, no breaks. Just a seamless visual waltz from start to finish.

Juan R Lage

“I feel the dreamlike tone, the narrative built through transformation, and the characters’ emotional connections all came through just as I envisioned.”

Those transitions became the artist’s signature - fluid, expressive, and tinged with that dreamlike quality that makes the piece feel almost like a moving memory. The challenge was balancing KENZO’s detailed character designs with the demands of fluid animation, all while keeping the tenderness of the story intact.

The results speak for themselves a rich, mysterious nostalgic tone; delicate emotional beats; and a visual rhythm that makes the viewer feel like they’ve stepped into another world. The final piece is more than just an animation. It’s a love story told in a single breath - one that flows, transforms, and lingers long after it ends.

Creative Lead: Julien Gaullet
Clean-up Artist: Juli Soloaga
Production: The Different Folk
Client: Kenzo

Juan R Lage

“I’m proud we kept the one-shot structure. It’s full of camera shifts and intricate transformations, but we didn’t lose any detail. Everything - the atmosphere, the characters’ connections, the dreamlike flow - came out exactly as I’d hoped.”

Bringing colour to the court.

Berlin: it’s in Josephine Rais’s bones. That’s why she was commissioned to infuse a communal space in the capital with the real spirit of the city.

As part of the Bundesliga Common Ground project, Josephine was called up to revitalise an inner-city football pitch. With creative input from neighbourhood children, she transformed a nondescript space into a bold expression of their vision.

Blending natural elements with urban symbols, Josephine created a simple yet striking portrait of the children’s home: a city alive with colour and contradiction. To capture the complexities of the capital, she played to her strengths and expertly balanced shapes and shades at scale.

The finished product is a testament to Josephine’s talent, Berlin’s rich tapestry and truly unifying effect art has when communities are invited to contribute to their neighbourhood’s aesthetic.

Josephine Rais

“The most rewarding moment was seeing the children play their first match on the finished court. Several parents later reached out to thank me, saying how much more welcoming and exciting the court looks now – which was truly the best feedback I could imagine.”


Turning characters into characters.

From the weird to the whimsical, Aleks Bokova creates worlds brimming with wonder – and Kilotype wanted one for its brand new typeface

For Aleks, Plastique was more than just a font. It was another chance to prove the power of personification. It was about bringing a brand to life, infusing its product with personality and designing a world entirely of its own.

Putting a pencil in the hands of her inner child, she developed a playground of colourful 3D characters. Experimenting with textures, lighting and materials, the skilled animator produced a series of spirited characters, complete with individual traits and temperament, for the award-winning type publisher.

Kilotype’s brief allowed Aleks to follow her artistic instincts – to the letter. Playing to her strengths, she produced a striking showcase of shapes that tests the limits of the imagination.



Aleksandra Bokova

“The magic came from bringing all those colourful shapes to life, and treating each letter as if it had its own personality. I wanted the letters and toys to feel like characters in this playful little universe, each adding to the sense of wonder. “

 

French bulldogs, and vinyasana's. Rew brings an elevated calm to Fintech company Koto's brand.

Most fintech visuals consist of technical illustrations or abstract iconography. It’s why Canadian fintech company KOHO’s latest art direction in choosing Rew is so refreshing. The platform’s imagery being brought to life in vivid shades, sunset vistas and sunbathing French bulldogs. Giving Rew creative freedom to develop real-world characters in work and at rest – free rein to push its art direction beyond the typical confines.

The platform’s imagery being brought to life in vivid shades, sunset vistas and sunbathing French bulldogs. Giving Rew creative freedom to develop real-world characters in work and at rest – free rein to push its art direction beyond the typical confines.

The exciting part is the range of characters that make sense in the KOHO world – from a guy relaxing in the park with his beloved pooch, the series also included a barista, a nurse, a chef and an animated gif of a yogi perfecting her pose in the dwindling sunlight.

The exciting part is the range of characters that make sense in the KOHO world – from a guy relaxing in the park with his beloved pooch, the series also included a barista, a nurse, a chef and an animated gif of a yogi perfecting her pose in the dwindling sunlight.

Rew

"Trying to keep a colour palette through different times of the day, and changing the light was new for me"

A feast for the eyes

Fashion giant Breuninger's annual Fashion x Food event in Stuttgart needed a visual language to link couture and cuisine. Known for reimagining worlds with bold colour palettes and mastery of pastel, TDF’s Josephine Rai was the perfect ingredient.

Using the concept “Taste the Flair,” and taking cues from Alice in Wonderland, Josephine conjured up a surreal world of elaborate cakes, cascading pearls, and wine glasses so large you could swim in them. Our favourite? The woman riding a life-sized lobster in bright pink cowboy boots.

Mixing Breuninger's signature red with her distinctive colour palette, Josephine’s artwork was the perfect backdrop for an evening of live cooking, with a lineup of Michelin-starred TV chefs.

You could say – she ate.

Josephine Rais

“For me, fashion and food go really well together. Personally, I love to go out for dinner and I love to dress up for that special occasion”.

Juan Molinet adds retro fizz to Coca-Cola’s eco campaign

Blending bold colours, playful shapes, and 90s flair, Juan brings his signature pop to the latest phase of Coke Reborn—celebrating a greener future with a nostalgic twist.

For the latest phase of Coke Reborn, its campaign promoting a greener world, Coca-Cola wanted a style that truly pops. Heavily inspired by the branding of his youth, Juan Molinet is known for putting an old-school spin on present-day packaging – and Coca-Cola wanted in.

Blending his trademark aesthetic with the brand’s global identity, Juan’s creative was an effervescent take on the company’s eco-friendly values

Juan Molinet

“I leaned into what I love – bold colours, playful shapes, and a lot of movement and energy in the compositions.”

When Korean skincare brand Yepoda set out to create their Pride Edition of their cult-favorite toner mist, they knew it had to be more than just skincare. 

Josephine Rais, whose work bursts with bold colors, playful energy, and unapologetic joy was the instant choice. 

 

For this limited edition, 100% of the profits go directly to LGBTQIA+ causes - meaning every spritz supports a community that Yepoda proudly stands behind. Josephine’s packaging design turns the mist bottle into a mini canvas: vibrant, expressive, and impossible to ignore.

Symbolism drawn into every detail: flags woven into clothing & makeup, hearts as a symbol of love & figures blending across the gender spectrum.  “Beauty is subjective - my goal was inclusivity. A wide range of people, all seeing their own version of beauty" Josephine adds. The impact - a sold out collections and €40,000 raised for LGBTQ+ organisations.

Josephine Rais

I wanted to make love visible — celebrating joy, queerness and self-care that reflects how Gen Z experiences and expresses themselves.

Justine reimagines an oat milk brand that breaks free from the sea of sameness

When we asked Justine to reimagine one of her everyday favorite products, she went all in – designing a whole campaign devoted to Oat Club: an imagined oat milk brand, “designed exclusively for oat people,” she explains. Infused with her signature style, from vibrant packaging illustrations to a playful cast of characters, every detail was designed to stand out on both shelves and on-screen.

Justine Jossart

"Little details are everything in surprising the viewer"

Troy Browne gives Stock X’s UK debut some serious sole

For the sneaker giant’s first UK campaign, Troy’s collage-inspired CGI animation takes us on a wild ride through iconic kicks—from adidas to Dunks.

In the talented hands of mixed media artist Troy Browne, even the freshest sneakers have an extra kick to them. US-based online sneaker marketplace Stock X wanted a killer first UK campaign, so its creative agency Otherway reached out to us.

And we provided the production. Troy delivered a ‘back to school’ CGI animation. A new approach, in his inimitable proportion-playing collage style. Beginning with unboxing orange Adidas Spezials; vaulting into Nike Airs, New Balance and On sneakers; ending with – our pick – a pair of brown Dunks.